My book reviews are getting shorter and shorter.

Why is that? you ask. One reason could be this—-I review every book I read.

I think ir’s a good idea to condense my reviews. I hope it’s good for you too, dear reader.

 


 

Here are a few book covers and reviews of some of the novels and non-fiction I’ve read so far in 2026.

In a separate section, I’ve also included author friends’ recent books published.

 

 

Prue Leith, author and chef

 

Prue Leith is vivacious, colorful, and immensely talented.

On the British food scene for nearly sixty years, Prue is a caterer, restaurateur, TV cook, food journalist, author of dozens of cookbooks and a novelist. Americans are perhaps most familiar with her as a judge on the Great British Bake Off from which she has recently retired.

What surprised me most in her story Being Old and Loving it (part advice/part memoir) is her devotion to writing, especially novels; she has written eight novels and sixteen cookbooks. She declares, β€œThe great thing about writing is that you can do it in old age. You have to resign from most committees and business boards in your seventies. And after three or four hours of cooking, I’m whacked, ready for my siesta. But one of the joys of writing, especially since the laptop was invented, is that you can do it anywhere. These days, as the pleasure of a comfy bed grows with old age, I often write in bed. I’m doing that now, lying with pillows behind my head and my knees up with the computer propped against them.” (90)

While she has let go of many of her obligations, she still enjoys producing Prue Leith: A Cotswold Kitchen on our local PBS station, where I view her cooking, baking, gardening, and hilarious shenanigans, sometimes with her slightly younger husband, John Playfair. This book contains a glossary of photos, including her wall of necklaces, shaped like four trees, and, like her culinary arts, a feast for the eyes. And her melamine plates, streaked with brilliant dashes of color, are available at The Museum of Modern Art, New York.

Find my Goodreads review HERE

 

 


 

Elif Shafak, novelist and activist

 

 

Novelist Elif Shafak takes a single drop of water and traces its effect over time and place in There are Rivers in the Sky. Epic in scope, the author explores Victorian London in the 1840s through the eyes of curious Arthur of the Slums and Sewers, a child prodigy who dreams of exploring Ninevah and its remains.

She also includes Narin, a Yazidi girl living by the River Tigris in 2014 Turkey, who journeys with her grandmother across war-torn lands in Iraq, hoping to reach the sacred valley of their people (Book blurb) Finally, in 2018 London, the author introduces us to the conflicted Zaleekah (Dr. Clarke, a hydrologist), disenchanted with life, who moves to a houseboat on the Thames, where an unexpected connection enables her to move beyond disillusionment.

I predict readers will root for all the characters, especially the indefatigable Arthur as he tries to locate and unearth the missing portion of the Flood Tablet, a priceless artifact in cuneiform with the goal of taking it back to The British Museum. The author admits to engaging in the debate on museums and who owns cultural heritage, a conundrum of sorts. She also includes a two-page chart of the journey of a drop of water over time in her end notes (432-433)

Shafak’s copious notes to the readers are as intriguing as the narrative itself. The novel is replete with historical detail, garnered from extensive research also recorded in Shafak’s Notes. At times, I felt as though I was reading an actual narrative β€”not a novel. I admire the artistry of Elif Shafak, award-winning British-Turkish author of more than a dozen novels. As she declares on the last page of her Acknowledgements: β€œThis novel is a love song to rivers—those still living and those that are long gone.”

Find my reviewΒ HERE

 

 


 

Kathryn Stockett, Novelist

 

 

Novelist Kathryn Stockett delivers a tour de force, framing down-on-their-luck white women in gilded homes along with childless wives and a motherless child in the 1930s South. In 638 pages, she weaves the narration of the fiercely intelligent child Meg and the observational and resourceful Birdie in alternate units to illustrate economic hardship and injustice, despair and hope. At the heart of the story is the eponymous Calamity Club, a band of misfits that registers the rollicking mood of much of the novel. The book succeeds despite a rather repetitive β€œmuddy middle.”

The novel too abounds in vivid language: β€œAlready I was building levees to beat the flood of disappointment.” Also, β€œIt was like trying to swim without getting wet.” Along the way, I learned the meanings of words like croquignole and merkin and enjoyed the references to dance melodies of the early 1900s: β€œNight and Day,” β€œTemptation,” and β€œDreamy Melody.” Throughout, the novelist plays with the themes of love and money, commodities often in short supply among the novel’s characters, and usually the impetus for its plot development. Author of The Help with numerous black heroines. This time, Stockett has delivered another best-seller in The Calamity Club.Β  Even as the book is released (2026), I suspect a movie is in the works.

Find my review HERE

 

 


 

Helen Fremont, Novelist and Memoir Writer

 

 

Helen Fremont, author of After the Silence, (2000) was raised Roman Catholic, but she learns as an adult that her parents are actually Jewish, Holocaust survivors, in fact. A public defender, practicing law in Boston, Massachusetts, Fremont, along with her older sister Lara, untangles the web of lies about her origins. She learns that secrets, which have kept her family in a bond of silence for more than forty years, include the story of her father’s six years captivity in a Siberian Gulag and her mother’s early life, disguised as an Italian soldier—each, managing to survive. In her memoir, the author divulges the stories behind those secrets, and like a detective, explores her fascinating and traumatizing family history. Shifting personas, scarred lives, some living in disguise.

β€œWhat happens next?” readers ask as they turn pages of Fremont’s book to learn how pieces of her puzzling heritage fit together. Her story is vividly told, magical in writing style and language, which memoirist writers like me admire. Her riveting narrative includes such lines as these which remind me of Chagall’s art: β€œThe Germans had a plan, but my mother’s story has no plan. Images tumble from windows of memory without introduction, the face of a friend, a heel of bread, a hand on one’s forehead. Now it is summer, and now it is winter, a jumble of images folding over and over each other like a woman washing her hands.” (161)

Fremont dramatically demonstrates how parents, living invented lives, can exact an emotional and mental toll on their children, causing them to question their own identity. Helen Fremont, whose name would technically be Helen Buchman, lives up to the praise her books inspire. And with her powerful writing style, Fremont’s memoir becomes glittering, literary non-fiction. This book, and the one that follows it, The Escape Artist, deserve the 5-star rating most reviewers bestow.

Find my review HERE

 


Author Friends with Prize-Winning Books

 

Laurie Buchanan

 

 

I have followed Laurie Buchanan as author and mentor for years and years. I first met the prize-winning Laurie as a therapist as she was publishing self-help books.

Now she has again reinvented herself as a fiction writer, with a Sean McPherson series, β€œheart pounding crime thrillers with heart-stopping twists. Her blurb goes on to exclaim: Her heroes β€œPlunge into the depths of malice, the unwavering quest for justice, and high-stakes consequences.” I can recommend all of her books, which I’ve read, including suspense-filled thrillers, reminiscent of David Baldacci’s style.

Find her books here: https://lauriebuchanan.com

 


 

Merril D. Smith

 

Many years ago Merril Smith commented on my blog and has supported all my posts since then. Along the way, I got to know her as scholar, researcher, and editor. Merril now has focused on poetry. A collection I’ve enjoyed is River Ghosts,Β a sensitive exploration of grief and remembrance.

A Pushcart-nominated poet with a doctorate in American history, her work has appeared in numerous journals and anthologies. I am now reading the book she is holding, Held Inside the Folds of TIme, which contains a line from which she drew her book’s title. A marvelous collection, the book is amply illustrated with her own photos of nature. You can discover more about Merril’s most recent book here: https://www.amazon.com/Held-Inside-Folds-Merril-Smith/dp/1068432314

 

 


 

Liz Gauffreau

 

 

Liz Gauffreau refers to herself as a fiction writer in poet’s clothing. Her published work supports that claim. You can find both poetry and prose on her website, https://lizgauffreau.com/

Last year I read and reviewed The Weight of Snow and Regret, the story of a Vermont poor farm. Says the blurb, β€œFor over 100 years, no one wanted to be sent to the Sheldon Poor Farm. By 1968, no one wanted to leave.” You can find a link to this historical novel here: https://lizgauffreau.com/the-weight-of-snow-and-regret/ Another book is in the works.

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This author showcase is an ongoing series. I will be highlighting more authors who have connected with me here on future blog posts.