From January to June 1967, creating my wedding gown kept me in stitches. Before my August  wedding date, I was thrilled to first find a pattern, purchase fabric, and then fashion a white peau de soie dress on a budget.

My roommates in the little bungalow on Middleton Drive in Charlotte, NC observed the process, but were dreaming of their own marriages. However, my future mother-in-law Viola raved approvingly over the finished dress days before the wedding. I sensed my own mother admired my efforts but didn’t express glee. After all, she was a Mennonite lady, accustomed to making her own simple dresses with capes—plain rather than fancy.

 

LYNDA HEINES

I met Lynda Heines a few months ago online. Both of us enjoy illustrating family history, I with words and she with fabric art. Lynda reached out to me while she read and reviewed Mennonite Daughter: The Story of a Plain Girl.

When I give book talks, I often urge viewers to record a family legacy: It needn’t be a book . . .

It could be

an annotated photo album,

your journal

A quilt . . . or something else, even a video!

 

Meet Lynda Heines, Telling Stories with Fabric

 

 

Excerpt from her blog’s “About” page

I started this fabric surface design journey in 2009 when I was writing my newspaper column, Telling Your Story, about local artists. I learned about dyes, and I was hooked.

I’ve always loved crafts, and I learned so much from those I interviewed. What sent me over the edge into dyeing was my interview with Karen Hampton, a local fabric artist. For her article I wrote about her beautiful snow dyed pieces. After leaving her house I couldn’t wait until we had snow. When it finally snowed, I snow dyed and wanted more. Because snow is made of ice particles, I decided I’d just try ice cubes. And ice dyeing was born!  I was so happy with my results that with the encouragement of fellow artist Kathy Sands, I contacted Quilting Arts. My first ice dyeing article was published in 2011.

One of my very first ice dyeing pieces hangs on my studio wall to remind me of this journey. I call it Mayo’s Garden, named after my grandma.

I’ve dabbled in a variety of crafts over the years. One of my major loves has been photography which started when Mom and Dad gave me one of those boxy Brownies. I graduated to Kodak Instamatic, moved on to a Canon SLR, and now I’m on my sixth digital camera, but really use my iPhone most of the time since getting it in December 2017.

I also was a quilter years ago, but I just couldn’t get that perfect 1/4 inch. I’ve found my fabric surface design doesn’t require perfection, or maybe I’ve become less rigid.

You’ll see on my blog that in addition to fabric art, I draw a bit on rocks, garden, make soap, and bake a little.

 

***

Mother Proudly Displays Her Crazy Quilt, now Bequeathed to Son Joel

Crazy Quilt design, 1999

 

SHEILA HICKS

Sheila Hicks, age 90 . . .

. . . is an “American artist known for her innovative and experimental weavings and sculptural textile art that incorporate distinctive colors, natural materials, and personal narratives. Since 1964, she has lived and worked in Paris, France.”

A graduate of Syracuse University and Yale School of Art, she refers to her work “wrapping memories through fabric” and “a playful dialogue between softness and strength,” illustrated her photos here and in the short YouTube videos that follow. My husband calls her the Chihuly of fabric.

 

 


 

Comments on the artists featured here?

Do enjoy working with fabric—sewing? Embroidery, crocheting, or something else?

How do you preserve family history?