It’s disgraceful—displaying a perfectly good violin as an ornament, but there it isβ€”on top of my piano propped on a small brass easel! The thing is, it’s not perfectly good: the G string is missing altogether, a black peg has broken off the neck, horsehairs are lax on the bow. Indeed, my violin has become a sorry sight.

 

I play hymns and simple pieces on the piano quite often now, but at the moment, my violin is un-playable. I would have to shell out major moolah to bring the violin up to snuff.

As a teenager, I took violin lessons and played in the orchestra at Elizabethtown Area High School (PA). A gift from my dad, the violin was a splendid caramel-colored instrument, its curvy shape tapering to a fancy scroll. Now when I peer inside the S-shaped openings of the instrument, I see a papery tag with the label: Copy of Antonius Stradivarius / Handarbeit / Garmisch bei Mittenwaldβ€”Made in Germany.*

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In my first memoir, I go into detail about my developing love for the violin

After classes every two weeks on a Wednesday, I walked to the music room in the bowels of Elizabethtown High where I meet Mrs. Santeusanio for violin lessons. Mrs. S. was tiny, even-tempered, and always smelled slightly floral. Did she wear Eau de Joy? One magazine boasted it took 10,000 crushed flowers to make an ounce of Joy. She wore a wedding ring, so maybe her husband could afford expensive perfume, I reasoned.

As I began lessons, my teacher taught me how to angle my head on the neckpiece and arch my fingers on the fingerboard. My left-handed fingers groped and stretched as I fumbled to find first and then third position on strings G, D, A, and E on the neck of my violin. Practicing the violin called louder to me now than rehearsing my piano lessons because I was going to perform in the school orchestra, not just play the piano alone on a bench at home for a dreaded spring recital. It turned out I liked playing in the orchestra. Oh, I really loved it! I could blend in with some of my fancy classmates, our notes touching and soaring together. With the focus on a musical score, my plain cap and simple dress might be more easily overlooked. Excerpt from Chapter 19: Cinderella at the Ball, Mennonite Daughter: The Story of a Plain Girl

You can read about my transformation from plain to fancy dress at a spring concert in a previous blog post: https://marianbeaman.com/2014/05/07/plain-girl-finds-fancy-dress/

 

Noah Klauss conducting Spring Concert at EAHS

 

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The Riddle Solved

The Italian violin maker Antonio Stradivari was a poor man. And yet his violins are now the most prized violins ever made because of the rich and resonant sound they produce. The unique sound of a Stradivarius cannot be duplicated. What may surprise you is that these precious instruments were not made from treasured pieces of wood; they were carved from discarded lumber. Because Stradivari could not afford fine materials, he got most of his wood from the dirty harbors where he lived. He would take those waterlogged pieces of wood to his shop, clean them up, and dry them out. Then, from those trashed pieces of lumber, he would create instruments of rare beauty [and value.]

It has since been discovered that while the wood floated in those dirty harbors, microbes infiltrated the wood and ate out the center of those cells. This left just a fibrous infrastructure of wood that created resonating chambers for the music. From that wood that nobody wanted, Stradivarius produced violins that now everybody wants.

* Quoted from The Word for You Today, September 8, 2024 entry

 

Antonio Stradivarius 1644-1737Β  Wikipedia image

 

The lesson is obvious: Trash can become treasure in the hands of an artisan!

 


 

Playing violin in dorm at Eastern Mennonite College/University

Playing violin in dorm room at Eastern Mennonite College/University 1960s

 

Have you played a musical instrument?

Any tales to tell about your musical experience?

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